American Animism: Stories

Written by: Jamey Gallagher

First line: She returned to work at the cryptid museum a week after the attack.

Why you should read this book: This one's a wild ride, and although there are certain themes that seem to recur through the unconnected stories, every one direct the reader to a different place with a different conclusion. Strange creatures, doomed relationships, tourist attractions, ghosts, and drug-fueled escape, both casual and chronic populate these fast-past short stories. Often, I have trouble with short fiction because I have to work to get into the story and then suddenly it's over, but these stories allowed me slip immediately into each world and then seemed to conclude at the perfect moment.

Why you shouldn't read this book: There is a fair amount of violence toward women, not gratuitously so, but not exactly pleasant either.

Evangelina Everyday

Written by: Dawn Burns

First line: "I feel adrift," Evangelina said, sitting at the kitchen table reading but not really reading the Elkhart Truth as Russel went about his business preparing a fire for the night because on cold December nights, that is just what they had come to do over their twenty-one years of marriage. 

Why you should read this book: From the outside, Evangelina looks like an ordinary woman in an ordinary marriage, but on the inside, she's keenly aware that something about her is different, and something about her life isn't quite right, not when held up against the lives of the people around her. Told as a novel in short stories, this book gives a gripping picture of this meaningful year in her life, the year when Evangelina has to stop dismissing the quiet disconnect and occasional revulsion in her relationship with her husband and the sense of loss and longing she's felt since her best friend moved away, feelings that other women in her circles don't seem to grapple with. Evangelina is no everyday woman, and when she finds the space within herself to ask who she used to be, who she is, and who she wants to be in the future, her entire world will change. 

Why you shouldn't read this book: You're not ready to stop dismissing your quiet disconnect and occasional revulsion. 

A Green Glow on the Horizon: Tales from the National Association of Tourist Attraction Survivors

 Written by: Dawn Burns

First line: This is the story I'm learning to tell.

Why you should read this book: Beneath the structure of these surreal fictions, linked by the premise that  roadside tourist attractions leave bruises upon those who don't have the luxury of simply passing through the amusement, lies a series of hard truths about parents and children, and the disconnect and betrayal that comes from irrational adult beliefs that are too rigid to accommodate "sensitive" children. Metaphorically examining religious trauma through a uniquely American fairy tale lens, these stories showcase the reluctantly expressed pain of those (usually daughters) who feel diminished in the face of others' (usually their mother's) obsessions with strange, unyielding ideals that do not serve unbelieving children. From Roswell, New Mexico to Pedro's South of the Border in South Carolina, Iowa's Corn Palace, Arizona's The Thing to The Fort Wayne Children's Zoo, and even stranger settings, surprising locations lead to surprising maladies, anger, introspection, and sometimes, recovery, and redemption.

Why you shouldn't read this book: You know your teenager is wrong about their own identity, needs, and beliefs, and if you just keep ignoring what she wants, she'll get better. 

179 Degrees from Now: Four Stories from Just Past the Edge

Written by: Thomas Watson

First line: "She's too old for this imaginary friend nonsense," said George.

Why you should read this book: These four short stories hit that speculative space that sometimes leans toward fantasy and sometimes toward science, asking questions like "What if imaginary friends were real?" and "What if there was some direct connection between Charon on the River Styx and Henry David Thoreau on Walden Pond?" There's one about the multiverse and one that's sort of about a ghost, plus excerpts from two of the author's novels. Each story turns on a bit of a twist, the kind that is only available to writers of speculative fiction who know how to weave reality and imagination together on a single loom.

Why you shouldn't read this book: You're absolutely dragging your ex to hell with you if at all possible.  

Microfiction

Edited by: Jerome Stern

First line: A short time ago I got a phone call from a men in New York who say the announcement of Florida State University's World's Best Short Story contest.

Why you should read this book: Microfiction, flash fiction, or short short stories are stories that are a lot shorter than you would expect. Some people might use the label for anything under 5 pages, but the stories in this anthology are all under 300 words! These are the winners and finalists from FSU's World's Best Short Story contest, and they contain multitudes. 

Why you shouldn't read this book: I think I read it originally as an undergrad, and I was trying to find some stories that were suitable to help me explain the concept of flash fiction to my elementary students, but there is really nothing in this book that I would share with someone else's 10-year-old. 

The Reason I Jump

Written by: Naoki Higashida (translated by KA Yoshida David Mitchell)

First line: When I was small, I didn't even know that I was a kid with special needs. 

Why you should read this book: Perhaps there's never been another book like this one, written by a nonverbal, autistic 13-year-old whose primary method of communication is spelling out words by pointing, one-by-one, at the Japanese hiragana letters on a grid. Most of the book is presented in the form of Q and A, with the author answering questions about why and how he does what he does by explaining his inner experience, along with a few provocative short fiction pieces that also provide interesting insight into a mind that might have once remained forever closed to neurotypical observers. The young author's sensitivity and understanding of his own condition, his relationship with the rest of the world, and his expectations for the future, are delightful and eye opening. 

Why you shouldn't read this book: You just find all children annoying. 

The Last Cuentista

Written by: Donna Barba Higuera

First line: Lita tosses another pinon log on the fire. 

Why you should read this book: Petra and her family are among the lucky few granted a place on the great starships leaving Earth just before Haley's comet smashes into it and destroys everyone and everything, including her beloved storyteller grandmother, and now she will spend hundreds of years in cryo-sleep, having important computer files uploaded to her brain so she can be a scientist when humanity finds its new home. But even as the ship launches and Petra falls into an uneasy stasis, dissidents have taken over the ship, and when Petra finally awakes, it is into a strange, nightmare reality controlled by "The Collective," a group that has evolved into a species she can barely recognize as human, which has eliminated hunger and war by eliminating art, culture, love, feelings, family, and the stories that Petra loves. Alone among the others on the ship, Petra retains her memories of Earth, and armed with her grandmother's stories, she must find a way to save what remains of humanity from The Collective's single-minded focus to destroy it. 

Why you shouldn't read this book: It took me way longer than usual to read because this book is frankly terrifying for a children's story; I don't scare easy in print (I think the last time was Joe Hill's Heart Shaped Box) but something about this girl forced to pretend to be brainwashed while mourning the loss of her family and the rest of humanity and made to live among the fascist Collective just hit way too close to home. 

Bad Dreams in the Night

Written by: Adam Ellis 

First line: My favorite movie as a kid is something nobody seems to have heard of. 

Why you should read this book: A collection of short horror stories presented in comic format, this book runs the gamut from creepy to horrifying, touching on various subgenres, putting new twists on old stories and probably showcasing the author's own fear. There's sci-fi horror, gothic horror, true crime horror, and just weird horror. Nothing too graphic, they're mostly chilling and atmospheric, sometimes touching or even comedic, but also spooky.

Why you shouldn't read this book: Some of it is a bit gruesome. 

Signs of the Imminent Apocalypse and Other Stories

Written by: Heidi Bell

First line: The brightest of lights and a liquid dark presence, a smell like smoke and mussels gritty with sand, motion over water streaked with moon.

Why you should read this book: These quietly epic stories stand with one foot planted in the fairy tale realm and the other in our strange reality, joined together by darkness and magic. Some of them are more experimental, such as the eponymous story, an abecedarian of modern troubles, or "This Is Your Life," written as catalog copy for a lifestyle brand, while others lean more into the realm of magical realism, such as "Obscure Magic," in which a girl is imprisoned, Rapunzel style, on a magical estate where her mother seeks to protect her from the outside world. A powerhouse collection of humans seeking human connection with all the messiness, joy, heartbreak, and triumph that entails.

Why you shouldn't read this book: You have to blackmail people into accepting your companionship. 

Unexpected Stories

Written by: Octavia Butler

First line: The Robkohn Hao, Tahneh, was sharing her evening meal with her chief judge and discussing the current drought when she first learned of the foreigners who had entered her territory.

Why you should read this book: Two previously unpublished stories written early in the career of the master science fiction author were discovered after her death and come together in this book, highlighting many of the themes for which she went on to become famous. In "A Necessary Being," a hierarchical alien society requires the most powerful among them to serve for the good of all, even against their will. "Childfinder" was originally sold to Harlan Ellison's final, unpublished Dangerous Visions anthology and discusses issues of race and class through the device of a society where psionic powers are controlled by a powerful cabal. 

Why you shouldn't read this book: If you're unfamiliar with Butler's work, you might want to start with some of her popular novels. 

The Saga of Ilkay and Collected Stories

Written by: Natalie Wright

First line: Thundering hooves, a stampede of thirst compels them.

Why you should read this book: An entertaining collection of fairy tales, this slim volume is intended to represent a book found by a character in the author's Dragos Primeri series. The stories include those referenced in the books, as well as new stories that hint at relevance in later works, as well as poetry and illustrations. These are delightful tales of perseverance, determination, and love and may be enjoyed without reference to the original series.

Why you shouldn't read this book: It might be better if you had read the original series. 

Nightbooks

Written by: J. A. White

First line: After his family had finally fallen asleep, Alex slung the backpack over his shoulder and snuck out of the apartment, easing the front door gently home so it didn't slam shut. 

Why you should read this book: Alex has loved scary stuff ever since he was little, but when his notebooks full of handwritten spooky tales start to feel like a liability, he has no idea that his plan to dispose of them will land him smack in the middle of his own horror story. Kidnapped by Natacha, a witch who wants his stories for her own diabolical purposes, he's trapped in his own building, in an apartment that is much bigger on the inside, and much more mysterious than anything he's ever imagined. Along with another kidnapped child, Yasmin, and a seemingly hostile cat called Lenore, Alex must figure out how to defeat Natacha and escape his strange prison before Natacha or her strange domain turn on him.

Why you shouldn't read this book: You accidentally saw a zombie film when you were four and it scarred you for life. 

Eerie Tales from the School of Screams

Written by: Graham Annable

First line: Okay, who would like to go first?

Why you should read this book: A delightfully creepy anthology-style graphic novel with a frame story: an elementary teacher who, for some reason, is cheerfully inviting her students to tell her the eeriest stories they can think of. The tales are a little funny but quite spooky, appropriate for elementary students who enjoy horror (scary without being gory) and span a variety of subgenres: ghosts, sea monsters, aliens, dismembered talking corpses, interdimensional monsters that feed on fear. Wonderfully, the last story ties back to the frame to create a perfect circle of eeriness.

Why you shouldn't read this book: For some readers this book might be too extreme; for other, not extreme enough.

The Hungry Clothes and Other Jewish Folktales

Written by: Peninnah Schram and Gianni De Conno

First line: Honi the Wise One was also known as Honi the Circle Maker.

Why you should read this book: This short, illustrated collection for children offers an assortment of Jewish folktales from different traditions and different eras, featuring kings, beggars, tricksters, and fools, offering moral lessons and opportunity for thought and discussion. There are the tales from the Talmud, tales from Israeli folklore, and tales from the twentieth century, all retold in the author's own voice, and often revised to suit her purpose. Rest assured, wickedness will be uncovered and forgiven, while faith and honesty will be recognized and rewarded.

Why you shouldn't read this book: Students of Jewish folklore (and even students of folklore in general) have likely already read versions of many or most of these stories. 

The Ladies of Grace Adieu

 

Written by: Susanna Clarke

First line: Above all remember this: that magic belongs as much to the heart as to the head and everything which is done, should be done from love or joy or righteous anger. 

Why you should read this book: These short stories are all set in the same world as the author's award-winning novel Jonathan Strange and Mr. Norrell, but even without prior knowledge of that paracosm, a general interest in fairy tales should be enough for the reader to glean a proper conception of the British Magic referenced within. Told in different styles and voices through different time periods, in these pages we meet the witches who protect children, young women who make deals with fairies, common men who call the irritation of the gods down upon kings, and magic all around. On its own or as a companion to the original work, this is just a delightful collection.

Why you shouldn't read this book: You might like it more if you read the other one first. 

Heaven No Hell

Written by: Michael DeForge

First line: The massage is my favorite part.

Why you should read this book: The varied stories that make up this graphic collection are simultaneously surreal and relatable, showcasing subtle truths about the inner lives of humans against strange backdrops of quiet nightmares. Imposter syndrome, unspoken love, murder, nostalgia, family, and the afterlife all undergo precise but rapid dissection. It's crazy but it makes sense but it's confusing but it feels complete. 

Why you shouldn't read this book: You don't like stories that make you think. 

The Complete Fairy Tales of George MacDonald

Written by: George MacDonanld 

First line: Once upon a time, so long ago that I have quite forgotten the date, there lived a king and queen who had no children. 

Why you should read this book: There is something deeply appealing about these tales, whose foundations are rooted deeply in the ancient, mythopoeic tradition, but whose leaves and branches are nourished with the most modern ideas any Victorian gentleman could possibly lay his hands on. From a princess who is cursed to lose her gravity to shadow spirits lamenting the rise of gaslights and the decline of the real fires that allow them to dance among the humans, the fairy creatures of these stories are well aware that their world is in flux and the balance is tipping away from the past. Delightful and imaginative, but still adhering to the laws of the genre, this is a timeless work on par with the best fairy stories of any era. 

Why you shouldn't read this book: You would never go anywhere with or for a magical creature and have zero sympathy for teenagers in love.

The Crossroads at Midnight

Written by: Abby Howard

First line: What's it like with the old farmer?

Why you should read this book: As a huge fan of the author's Junior Scientist Power Hour and The Last Halloween webcomics, I was thrilled to discover that Abby Howard has published a devilishly inventive 350-page book comprising five freaky horror comics. With artwork that transcends the more cartoonish images of some of her earlier work, these legitimately spooky comics pull no punches—even children aren't safe from the various monsters that inhabit these detailed black-and-white worlds—and deliver true terror, often from unexpected directions, and occasionally, a drop of compassion. There's no telling what the outcome might be when you befriend a fiend, but if scary stories and dark comics get you going, this collection is highly recommended. 

Why you shouldn't read this book: You are easily disturbed and all alone.

Living Ghosts & Mischievous Monsters: Chilling American Indian Stories

Written by: Dan SaSuWeh Jones

First line: Ghost stories were a big part of my life growing up as an American Indian.

Why you should read this book: It sets itself apart from most collections of creepy stories and folktales in two ways: first that, many of the stories were personally collected by the author, and second, that many of the stories really happened. It sets itself apart from most collections of indigenous legends in that the author and illustrator, as well as all their sources, are indigenous themselves. This is a kids' book, but the spooky factor is turned up fairly high on some of them—readers will meet all kind of terrifying spirits, monsters, ghosts, and other fairy tale creatures, none of whom have the best wishes of humanity in mind. 

Why you shouldn't read this book: Probably too scary for very young readers.

The Dark Kraft: A Collection of Cheesy Creepy Pastas

Written by: Cameron D. Blackwell

First line: Paula Jean Stanton, or PJ to her friends, worked diligently on her project at Stanco labs.

Why you should read this book: "Creepy pasta," or internet-based horror legends, began as cut and paste twenty-first century legends of terror based on possibly believable premises, but the term has gradually evolved to include a wide range of scary stories. This book brings you five silly-spooky tales of the modern unknown, including an AI turned evil through accidental forced immersion in a marathon of the '90s era sitcom Friends, a terrifyingly comfortable secondhand couch, and an irresponsible pet sitter unaware of the importance of catering to a persnickety house cat. Fast and funny, this short collection may have you avoiding thrift shops and Black Friday sales for fear of the evil that lurks within. 

Why you shouldn't read this book: The "cheesy" part is not just a side dish; this book piles on the cheese.