The Spirits

Written by: Bonnie Jo Cambell

First line: A red Jeep Wrangler veered off eastbound I-94 at the Paw Paw exit and hurtled north, pursued by the shadow of dusk.

Why you should read this book: Technically it doesn't come out until tomorrow but I'm reading it for the third time and I'm ready to share this haunted holiday tale, inspired by Dickens's A Christmas Carol with a little Edgar Allen Poe mixed in. Doug is apprehensive about bringing his new girlfriend, Mary, home for Christmas, because his family hasn't been the same since his dad was struck by lightning on Christmas Eve nine years ago, and things have been very tense since last Christmas, when his older sister flipped out and demanded that they talk about that fateful evening. But now they're all together again, subject to Mary's curiosity and enthusiasm, and all stories will be shares, all secrets will be revealed, all shame brought to light, and all regrets forgiven.

Why you shouldn't read this book: You could wait a couple weeks for my comic version of the book. 

Mixed-up

Written by: Kami Garcia and Brittney Williams

First line: I can't believe school starts on Monday.

Why you should read this book: Stella just knows that fifth grade is going to be the best year ever, since she has the nicest teacher and gets to sit with her best friends Emiko and Latasha and there's a huge announcement coming about Witchlins, her favorite show in the world. But everything starts going sideways when Stella realizes that everyone else is reading faster than she does, with better comprehension, and she's destined to fail her fifth grade project and can't make sense of the players guide for the new Witchlins video game everyone else is obsessed with. Now Stella is barely talking to Emiko and Latasha, and her only hope is a diagnosis and intervention for the learning disability she never knew she had.

Why you shouldn't read this book: There are just a lot of books about dyslexic kids who are good at drawing.  

Super Boba Cafe Volume 2: Home Sea Home

Written by: Nidhi Chanani

First line: Another nightmare?

Why you should read this book: Ever since she's returned home from saving her grandmother's boba cafe and her grandmother, and the city of San Francisco by figuring out a more efficient way to deliver boba to a monster living under the city, Aria has been having nightmare, which is terrible, but she's also developed the ability to waterbend, which is cooler. But she can't keep waking up in terror every night, and she knows she must return to San Francisco and see the monster under the city again. Can she learn to control her powers and figure out how to help the monster before she has to go back to Burbank?

Why you shouldn't read this book: You think people have to like boba to join the boba appreciation club. 

Halfway to Somewhere

Written by: Jose Pimienta First line: You made it, Mijo. Why you should read this book: It seems like just yesterday that Ave’s family was all together and happy in Mexico, and now Ave’s in Kansas with their mom and their brother while their father and sister remain in Mexico. It doesn't help that their little brother speaks better English, and makes an American friend right away, and now their mom's treatment of Ave feels unfair, based on a gender identity that isn't even theirs! Will they ever be and to communicate, or feel comfortable in their new community without completely assimilating, and why won't anyone tell them when they can see their father and sister again?

ESCAPE

Written by: K.R. Alexander

First line: ESCAPE YOUR TROUBLES!

Why you should read this book: Cody is obsessed with a mysterious new theme park where anything is possible and adults aren't allowed, and desperate to win the lottery to become one of 30 "normal" children who are invited to its exclusive inaugural week, along with 100 celebrity kids: actors, musicians, and influencers that everybody knows. In Charlie Bucket style, he gets his ticket at the last second, then sneaks out to ESCAPE after being grounded for being obsessed with ESCAPE, and immediately makes friends with 2 famous pop stars, Jayson and Inga, as well as finds a new enemy in another famous kid, Meg-A. But social climbing is the least of his trouble as it become abundantly clear that ESCAPE is not a fun fantasy adventure, and that its creator has not been the least bit honest about his intentions, or the kids' chances for survival.

Why you shouldn't read this book: It's lowbrow and derivative with little character development or realism, but it would be inaccurate to say it includes plot holes big enough to drive a Jeep through, because the entire story is a plot hole; I guess it could be fun for kids who like danger but it's impossible to suspend disbelief because none of this sounds remotely plausible.

The Kingdom of Almonds

Written by: Ariel Kaplan

First line: Toba Peres was born a half-Mazik in the city of Rimon, under the reign of the Emir, before he sailed away in exile.

Why you should read this book: In the final book of this trilogy set partially in Spain in the 15th century but mostly in the Mazik realm–a mirror world of magic and mystical creature based on Jewish mythology, which reflects and impacts our world–protagonists become increasingly desperate as the power hungry Tarses moves closer to his goal of world domination. Toba Bet and Naftaly visit Aravoth, the realm of the eternal, to rescue the Ziz, a giant bird they need to help raise the ancient city of Luz from the sea, while Elena, Naftaly, and the old woman scheme to free Barsilay from prison, and everyone must decide who to trust as the war closes in. A deliciously satisfying and fast-paced conclusion to an epic fantasy tale.

Why you shouldn’t read this book: Even with the Dramatis Personae, list of geographical locations, and detailed map, this story is so sprawling and populated it can be difficult to keep the people and places straight.

Madeline L'Engle's A Wrinkle in Time: The Graphic Novel

Written by: Hope Larson. 

First line: It was a dark and stormy night.

Why you should read this book: The Newbury-winning A Wrinkle in Time is one of the great classic science fiction stories for children, so impactful and heartfelt, fantastical in nature and yet eminently believable, but I notice it doesn't often get checked out from my library, so when I saw this adaptation, I thought perhaps it would direct kids back toward the novel. I'm ordinarily skeptical of graphic adaptations, but this one is executed with obvious love and respect and remains faithful to the source material but also shines with its own light and life as a complete, standalone work. The blue, black, and white illustrations (somehow so perfect for a story about fighting darkness) depict intense emotions and strange phenomena with simple but perfect lines.

Why you shouldn't read this book: All graphic adaptations have the effect of speeding the story up immensely (might not be a downside for some readers). 

The Birchbark House

Written by: Louise Erdrich

First line: The only person left alive on the island was a baby girl. 

Why you should read this book: Often described as a counterpoint to the manifest destiny narrative of Little House on the Prairie, this is the first book in a series sharing the life of Omakakiins, an Anishinaabe girl living on the Island of the Golden Breasted Woodpecker in Minnesota in 1847. Readers experience a full calendar year of her life, doing chores, playing with other children, learning from her elders, exploring the natural world, surviving sickness and deprivation, celebrating success, and opening herself to a spiritual understanding of her world. Omakakiins is an engaging and surprising heroine whose worldview and journey is delightful and eye-opening, while the story touches on the danger presented to the community as the white culture imposes upon their land. 

Why you shouldn't read this book: I guess if you're one of those MAGA lunatics obsessed with removing historical signage from National Parks, you're not going to respond well to this story. 

The Salt Princess

Written by: Anoosha Syed

First line: Under a sky studded with diamond, surrounded by hills as green as emeralds, lived four princesses in the Kingdom of Zammarud.

Why you should read this book: Princess Amal, the youngest of four sisters, is funny and free and loves pranks and says exactly what she thinks, which, everyone predicts, will get her in trouble one day. And one day it does, when her father is so deeply and publicly embarrassed by her plain spokenness that he banishes her. Fortunately, in her banishment she meets and falls in love with a handsome prince who encourages her to think up a new prank, one to make her father see how much she loves him.

Why you shouldn't read this book: It's presented as being a traditional Pakistani story, but it's also a traditional European story most fairy tale aficionados have read before and this version does not seem to bring anything different for the tradition. 

All Is Nat Lost

Written by: Maria Scrivan First line: Hi, I'm Natalie! My class is learning about American independence so, Midway Middle School is taking a trip to Philadelphia Why you should read this book: Nat really wants to join her class for an overnight trip to Philadelphia, but her parents worry so much about whether she's responsible that she's afraid they won't let her go especially after she loses her bike. When they finally agree, Nat is overjoyed, and everything seems to be going well until she loses her phone and she and her friend lose the rest of the group! Now it's Nat and Flo in the big city, frantically trying to complete the scavenger hunt and find their way back to the rest of their class.

Why you shouldn't read this book: I imagine there is a species of parent that would lose their minds over a story about two pre-adolescent girls who get lost in a big city and not only does nothing bad happen to them, things work out pretty well.

Garlic and the Vampire

Written by: Bree Paulsen

First line: I tried to wake you so it's your fault if you're late today. 

Why you should read this book: Garlic, an anthropomorphic vegetable given life by Witch Agnes along with numerous other fruit and vegetable folks, is clumsy and anxious but dedicated to her work: providing garlic to the people of the village. One day, chaos and terror arrives in the form of a vampire inhabiting an ancient castle in the woods, and the other vegetables decide that Garlic, who naturally repels vampires, must go into the woods to investigate. Can Garlic overcome her fear and anxiety and defeat an enemy whose name strikes fear into her heart in this cozy tale of unearned terror? 

Why you shouldn't read this book: It's a little bit silly, even for a children's vampire story.

American Animism: Stories

Written by: Jamey Gallagher

First line: She returned to work at the cryptid museum a week after the attack.

Why you should read this book: This one's a wild ride, and although there are certain themes that seem to recur through the unconnected stories, every one direct the reader to a different place with a different conclusion. Strange creatures, doomed relationships, tourist attractions, ghosts, and drug-fueled escape, both casual and chronic populate these fast-past short stories. Often, I have trouble with short fiction because I have to work to get into the story and then suddenly it's over, but these stories allowed me slip immediately into each world and then seemed to conclude at the perfect moment.

Why you shouldn't read this book: There is a fair amount of violence toward women, not gratuitously so, but not exactly pleasant either.

Shanghai Immortal

Written: A. Y. Chao

First line: The steaming Shanghai night drapes heavy over my bare shoulders. 

Why you should read this book: Fast paced, luscious, fresh, and edgy, this is the story of Lady Jing, bad girl half-vampire half-fox spirit, consigned to live under the thumb of the King of Hell (Chinese version) since her grandmother's court rejected her outright as an abomination and her mother subsequently abandoned her. Devoted to rejecting tradition and making trouble, her life is upended the day she's commanded to escort a living mortal through Hell (the King of Hell needs advice on creating a viable banking system) and ends up sent to the mortal realm for her own protection. Jazz age Shanghai is a new world, where Lady Jing discovers she has friends, mortal and otherwise, and devotes herself to unraveling the conspiracy that catapulted her from the world where she endured for ninety years, just in time to finally grow up. 

Why you shouldn't read this book: You aren't stirred by the idea of a half-vampire half-demon in a world that blends Chinese mythology with the advances of the early twentieth century. 

Station Eternity

Written by: Mur Lafferty

First line: Nobody ever believed murders "just happened" around Mallory Viridian.

Why you should read this book: This fun near-future science fiction murder mystery takes place primarily on the sentient space station where Mallory has fled to escape the constellation of murders that seem to happen all around her on Earth, where nobody believes they're not her fault even though she always finds the real killer. Surely the curse cannot follow her across the cosmos if she's only one of three humans on board, but her peace of mind is shattered when she learns that more earthlings are on their way. Suddenly, she's surrounded by death and mayhem again, and needs to use all her resources to unravel a series of mysteries and save the lives of every life on the station, including the station itself.

Why you shouldn't read this book: There are a couple main characters and many supporting characters, and the narrative perspective shifts frequently, often giving entire chapters to the point of view of a minor character for an entire chapter, which, to me, can be jarring. 

Yesteryear

Written by: Caro Claire Burke

First line: This is the last day of the life I imagined for myself. 

Why you should read this book: Natalie has always known that everyone around her is stupid, and that her beliefs about marriage and family and femininity are the only intelligent ways to view those concepts, so naturally, when her marriage falters after the birth of her first child, she focuses increasingly on creating a media empire based on her identity as a "trad wife," showcasing a perfect farm life based on conservative ideals. But Natalie's perfect world is shattered when she wakes up mysteriously transported to some strange nineteenth century farm, held hostage and forced to serve as a wife and mother to a husband and children who are sort of like her real husband and children on land that is a lot like her actual home, but not quite. Told in a series of flashbacks, Natalie's journey exposes the dark side of the lifestyle and the hypocrisy of the young women influencers promoting it. 

Why you shouldn't read this book: Natalie is an utterly irredeemable character, smug and self-righteous with zero self-awareness, an unreliable narrator who absolutely deserves every awful thing that happens to her, which is interesting to read, but an unusual way to write a protagonist. 

The Bog Wife

Written by: Kay Chronister

First line: On winter nights, the burned heavy bundles of dried peat in the hearth and inhaled the scent of sacred ground burning while their father paced the length of the room, reciting the history of the Haddesley compact.

Why you should read this book: All their lives, the young adult Haddlesley children have been taught to honor the ancient compact between their family and their bog, which every generation offers up one magical wife to the eldest son, to continue the family line. But their vague, eldritch bog mother has mysteriously vanished, and one of the siblings has fled the land, and there are increasing doubts about the eldest son's suitability to serve as patriarch, and meanwhile, in true southern gothic fashion, the weight of their own history is literally crushing the family home. Naturalistic and supernatural, this delightful novel chronicles the breakdown of old family narratives about power and responsibility.

Why you shouldn't read this book: You believe everything your parents told you despite all evidence to the contrary. 

Evangelina Everyday

Written by: Dawn Burns

First line: "I feel adrift," Evangelina said, sitting at the kitchen table reading but not really reading the Elkhart Truth as Russel went about his business preparing a fire for the night because on cold December nights, that is just what they had come to do over their twenty-one years of marriage. 

Why you should read this book: From the outside, Evangelina looks like an ordinary woman in an ordinary marriage, but on the inside, she's keenly aware that something about her is different, and something about her life isn't quite right, not when held up against the lives of the people around her. Told as a novel in short stories, this book gives a gripping picture of this meaningful year in her life, the year when Evangelina has to stop dismissing the quiet disconnect and occasional revulsion in her relationship with her husband and the sense of loss and longing she's felt since her best friend moved away, feelings that other women in her circles don't seem to grapple with. Evangelina is no everyday woman, and when she finds the space within herself to ask who she used to be, who she is, and who she wants to be in the future, her entire world will change. 

Why you shouldn't read this book: You're not ready to stop dismissing your quiet disconnect and occasional revulsion. 

The Round House

Written by: Louise Erdrich

First line: Small trees had attacked my parents' house at the foundation.

Why you should read this book: Joe Coutts's childhood comes to an end the summer his mother is brutally assaulted by an unidentified assailant on land that may or may not fall under the jurisdiction of tribal law. Distressed by his mother's trauma and retreat from the world and frustrated by the callous inefficiency of the justice system, Joe takes on his own investigation of the crime, aided explicitly by his three best friends and implicitly by his Ojibwe family and community and their history, shared and secret, old and new, and often hindered by his own adolescent sensibilities. Powerful, revelatory, upsetting, and important, this book shines a light on inequality, hypocrisy, the betrayals of the American government toward indigenous people, the power of unbroken tradition, and questions of morality in an immoral world. 

Why you shouldn't read this book: The plot turns on the violent rape and attempted murder of an indigenous woman. 

Proud Knight, Fair Lady: The Twelve Lais of Marie de France

Written by: Naomi Lewis and Angela Barrett

First line: You know that in bygone times the Bretons made lays of the happenings in their land.

Why you should read this book: Over 800 years ago, French and British nobility went crazy for these fantastic stories of brave knights and fair maidens and bold romance and strange magic. Written in the twelfth century, but ostensibly based on older oral musical tradition, these "lays" offer a fairy tale picture of a nearly forgotten aesthetic of courtly love, which faithful knights should offer to beautiful ladies, without expectation of reciprocation (but with interesting results when it was returned). Including ancient examples of tropes known to modern readers (an adventure set in King Arthur's court, a werewolf hell bent on vengeance, twins separated at birth) and offering salacious details of forbidden intimacy, tragic deaths, and joyful reunions, these twelve historical tales still resonate with readers ready to step outside standard fare. 

Why you shouldn't read this book: You are a jealous old man who married a beautiful young woman and then locked her away from the world but are still convinced she's betraying you. 

A Green Glow on the Horizon: Tales from the National Association of Tourist Attraction Survivors

 Written by: Dawn Burns

First line: This is the story I'm learning to tell.

Why you should read this book: Beneath the structure of these surreal fictions, linked by the premise that  roadside tourist attractions leave bruises upon those who don't have the luxury of simply passing through the amusement, lies a series of hard truths about parents and children, and the disconnect and betrayal that comes from irrational adult beliefs that are too rigid to accommodate "sensitive" children. Metaphorically examining religious trauma through a uniquely American fairy tale lens, these stories showcase the reluctantly expressed pain of those (usually daughters) who feel diminished in the face of others' (usually their mother's) obsessions with strange, unyielding ideals that do not serve unbelieving children. From Roswell, New Mexico to Pedro's South of the Border in South Carolina, Iowa's Corn Palace, Arizona's The Thing to The Fort Wayne Children's Zoo, and even stranger settings, surprising locations lead to surprising maladies, anger, introspection, and sometimes, recovery, and redemption.

Why you shouldn't read this book: You know your teenager is wrong about their own identity, needs, and beliefs, and if you just keep ignoring what she wants, she'll get better.