ESCAPE

Written by: K.R. Alexander

First line: ESCAPE YOUR TROUBLES!

Why you should read this book: Cody is obsessed with a mysterious new theme park where anything is possible and adults aren't allowed, and desperate to win the lottery to become one of 30 "normal" children who are invited to its exclusive inaugural week, along with 100 celebrity kids: actors, musicians, and influencers that everybody knows. In Charlie Bucket style, he gets his ticket at the last second, then sneaks out to ESCAPE after being grounded for being obsessed with ESCAPE, and immediately makes friends with 2 famous pop stars, Jayson and Inga, as well as finds a new enemy in another famous kid, Meg-A. But social climbing is the least of his trouble as it become abundantly clear that ESCAPE is not a fun fantasy adventure, and that its creator has not been the least bit honest about his intentions, or the kids' chances for survival.

Why you shouldn't read this book: It's lowbrow and derivative with little character development or realism, but it would be inaccurate to say it includes plot holes big enough to drive a Jeep through, because the entire story is a plot hole; I guess it could be fun for kids who like danger but it's impossible to suspend disbelief because none of this sounds remotely plausible.

Tomatoes in My Lunchbox

Written by: Costantia Manoli

First line: I don't recognize my name at roll call the first time.

Why you should read this book: A young immigrant recalls the sensations associated with being a newcoming to a strange culture, one where her own name is a stumbling block for others, and her choice of lunchtime treat sets her apart from her classmates. Her attempts at assimilation are unsatisfactory, but of course, the little girl begins to make friends and finds ways to fit in without compromising herself or pretending to be someone she's not. Apparently based on the author's own childhood experience.

Why you shouldn't read this book: You just anglicize names you can't be bothered to learn how to pronounce because it's "easier."

The Kingdom of Almonds

Written by: Ariel Kaplan

First line: Toba Peres was born a half-Mazik in the city of Rimon, under the reign of the Emir, before he sailed away in exile.

Why you should read this book: In the final book of this trilogy set partially in Spain in the 15th century but mostly in the Mazik realm–a mirror world of magic and mystical creature based on Jewish mythology, which reflects and impacts our world–protagonists become increasingly desperate as the power hungry Tarses moves closer to his goal of world domination. Toba Bet and Naftaly visit Aravoth, the realm of the eternal, to rescue the Ziz, a giant bird they need to help raise the ancient city of Luz from the sea, while Elena, Naftaly, and the old woman scheme to free Barsilay from prison, and everyone must decide who to trust as the war closes in. A deliciously satisfying and fast-paced conclusion to an epic fantasy tale.

Why you shouldn’t read this book: Even with the Dramatis Personae, list of geographical locations, and detailed map, this story is so sprawling and populated it can be difficult to keep the people and places straight.

Madeline L'Engle's A Wrinkle in Time: The Graphic Novel

Written by: Hope Larson. 

First line: It was a dark and stormy night.

Why you should read this book: The Newbury-winning A Wrinkle in Time is one of the great classic science fiction stories for children, so impactful and heartfelt, fantastical in nature and yet eminently believable, but I notice it doesn't often get checked out from my library, so when I saw this adaptation, I thought perhaps it would direct kids back toward the novel. I'm ordinarily skeptical of graphic adaptations, but this one is executed with obvious love and respect and remains faithful to the source material but also shines with its own light and life as a complete, standalone work. The blue, black, and white illustrations (somehow so perfect for a story about fighting darkness) depict intense emotions and strange phenomena with simple but perfect lines.

Why you shouldn't read this book: All graphic adaptations have the effect of speeding the story up immensely (might not be a downside for some readers).