The Birchbark House

Written by: Louise Erdrich

First line: The only person left alive on the island was a baby girl. 

Why you should read this book: Often described as a counterpoint to the manifest destiny narrative of Little House on the Prairie, this is the first book in a series sharing the life of Omakakiins, an Anishinaabe girl living on the Island of the Golden Breasted Woodpecker in Minnesota in 1847. Readers experience a full calendar year of her life, doing chores, playing with other children, learning from her elders, exploring the natural world, surviving sickness and deprivation, celebrating success, and opening herself to a spiritual understanding of her world. Omakakiins is an engaging and surprising heroine whose worldview and journey is delightful and eye-opening, while the story touches on the danger presented to the community as the white culture imposes upon their land. 

Why you shouldn't read this book: I guess if you're one of those MAGA lunatics obsessed with removing historical signage from National Parks, you're not going to respond well to this story. 

The Salt Princess

Written by: Anoosha Syed

First line: Under a sky studded with diamond, surrounded by hills as green as emeralds, lived four princesses in the Kingdom of Zammarud.

Why you should read this book: Princess Amal, the youngest of four sisters, is funny and free and loves pranks and says exactly what she thinks, which, everyone predicts, will get her in trouble one day. And one day it does, when her father is so deeply and publicly embarrassed by her plain spokenness that he banishes her. Fortunately, in her banishment she meets and falls in love with a handsome prince who encourages her to think up a new prank, one to make her father see how much she loves him.

Why you shouldn't read this book: It's presented as being a traditional Pakistani story, but it's also a traditional European story most fairy tale aficionados have read before and this version does not seem to bring anything different for the tradition. 

All Is Nat Lost

Written by: Maria Scrivan First line: Hi, I'm Natalie! My class is learning about American independence so, Midway Middle School is taking a trip to Philadelphia Why you should read this book: Nat really wants to join her class for an overnight trip to Philadelphia, but her parents worry so much about whether she's responsible that she's afraid they won't let her go especially after she loses her bike. When they finally agree, Nat is overjoyed, and everything seems to be going well until she loses her phone and she and her friend lose the rest of the group! Now it's Nat and Flo in the big city, frantically trying to complete the scavenger hunt and find their way back to the rest of their class.

Why you shouldn't read this book: I imagine there is a species of parent that would lose their minds over a story about two pre-adolescent girls who get lost in a big city and not only does nothing bad happen to them, things work out pretty well.

Garlic and the Vampire

Written by: Bree Paulsen

First line: I tried to wake you so it's your fault if you're late today. 

Why you should read this book: Garlic, an anthropomorphic vegetable given life by Witch Agnes along with numerous other fruit and vegetable folks, is clumsy and anxious but dedicated to her work: providing garlic to the people of the village. One day, chaos and terror arrives in the form of a vampire inhabiting an ancient castle in the woods, and the other vegetables decide that Garlic, who naturally repels vampires, must go into the woods to investigate. Can Garlic overcome her fear and anxiety and defeat an enemy whose name strikes fear into her heart in this cozy tale of unearned terror? 

Why you shouldn't read this book: It's a little bit silly, even for a children's vampire story.

American Animism: Stories

Written by: Jamey Gallagher

First line: She returned to work at the cryptid museum a week after the attack.

Why you should read this book: This one's a wild ride, and although there are certain themes that seem to recur through the unconnected stories, every one direct the reader to a different place with a different conclusion. Strange creatures, doomed relationships, tourist attractions, ghosts, and drug-fueled escape, both casual and chronic populate these fast-past short stories. Often, I have trouble with short fiction because I have to work to get into the story and then suddenly it's over, but these stories allowed me slip immediately into each world and then seemed to conclude at the perfect moment.

Why you shouldn't read this book: There is a fair amount of violence toward women, not gratuitously so, but not exactly pleasant either.

Kosher Soul: The Faith and Food Journey of an African American Jew

Written by: Michael W. Twitty

First line: When I first started talking about this developing this book, a fellow African American food writer asked what it was about, saying, "So you're not writing about Black [food], you're writing about Jewish [food]." 

Why you should read this book: Twitty goes on to explain that he is writing about Black Jewish food, because there are Black Jewish people and this is the second in a three-book trilogy (the first being The Cooking Gene) about the "intersections between food and identity." It takes the form of a series of essays and "mayseh" (stories) about the numerous threads that create Blackness and Judaism, and the food traditions that arise where these identities come together. Making the point that, while often overlooked as anomalies, Black Jews exist and the Black Jewish tradition in America is strong and stretches back centuries and encompasses a vast smorgasbord of flavor and ingredients; this book, of course, includes numerous delectable looking recipes.

Why you shouldn't read this book: You might need to have a previous interest in cooking or foodways or culinary history or at least intersectional identities to get into this one. 

Shanghai Immortal

Written: A. Y. Chao

First line: The steaming Shanghai night drapes heavy over my bare shoulders. 

Why you should read this book: Fast paced, luscious, fresh, and edgy, this is the story of Lady Jing, bad girl half-vampire half-fox spirit, consigned to live under the thumb of the King of Hell (Chinese version) since her grandmother's court rejected her outright as an abomination and her mother subsequently abandoned her. Devoted to rejecting tradition and making trouble, her life is upended the day she's commanded to escort a living mortal through Hell (the King of Hell needs advice on creating a viable banking system) and ends up sent to the mortal realm for her own protection. Jazz age Shanghai is a new world, where Lady Jing discovers she has friends, mortal and otherwise, and devotes herself to unraveling the conspiracy that catapulted her from the world where she endured for ninety years, just in time to finally grow up. 

Why you shouldn't read this book: You aren't stirred by the idea of a half-vampire half-demon in a world that blends Chinese mythology with the advances of the early twentieth century. 

Station Eternity

Written by: Mur Lafferty

First line: Nobody ever believed murders "just happened" around Mallory Viridian.

Why you should read this book: This fun near-future science fiction murder mystery takes place primarily on the sentient space station where Mallory has fled to escape the constellation of murders that seem to happen all around her on Earth, where nobody believes they're not her fault even though she always finds the real killer. Surely the curse cannot follow her across the cosmos if she's only one of three humans on board, but her peace of mind is shattered when she learns that more earthlings are on their way. Suddenly, she's surrounded by death and mayhem again, and needs to use all her resources to unravel a series of mysteries and save the lives of every life on the station, including the station itself.

Why you shouldn't read this book: There are a couple main characters and many supporting characters, and the narrative perspective shifts frequently, often giving entire chapters to the point of view of a minor character for an entire chapter, which, to me, can be jarring. 

Yesteryear

Written by: Caro Claire Burke

First line: This is the last day of the life I imagined for myself. 

Why you should read this book: Natalie has always known that everyone around her is stupid, and that her beliefs about marriage and family and femininity are the only intelligent ways to view those concepts, so naturally, when her marriage falters after the birth of her first child, she focuses increasingly on creating a media empire based on her identity as a "trad wife," showcasing a perfect farm life based on conservative ideals. But Natalie's perfect world is shattered when she wakes up mysteriously transported to some strange nineteenth century farm, held hostage and forced to serve as a wife and mother to a husband and children who are sort of like her real husband and children on land that is a lot like her actual home, but not quite. Told in a series of flashbacks, Natalie's journey exposes the dark side of the lifestyle and the hypocrisy of the young women influencers promoting it. 

Why you shouldn't read this book: Natalie is an utterly irredeemable character, smug and self-righteous with zero self-awareness, an unreliable narrator who absolutely deserves every awful thing that happens to her, which is interesting to read, but an unusual way to write a protagonist. 

The Bog Wife

Written by: Kay Chronister

First line: On winter nights, the burned heavy bundles of dried peat in the hearth and inhaled the scent of sacred ground burning while their father paced the length of the room, reciting the history of the Haddesley compact.

Why you should read this book: All their lives, the young adult Haddlesley children have been taught to honor the ancient compact between their family and their bog, which every generation offers up one magical wife to the eldest son, to continue the family line. But their vague, eldritch bog mother has mysteriously vanished, and one of the siblings has fled the land, and there are increasing doubts about the eldest son's suitability to serve as patriarch, and meanwhile, in true southern gothic fashion, the weight of their own history is literally crushing the family home. Naturalistic and supernatural, this delightful novel chronicles the breakdown of old family narratives about power and responsibility.

Why you shouldn't read this book: You believe everything your parents told you despite all evidence to the contrary. 

Dybbuk Americana

Written by: Joshua Gottlieb-Miller

First line: I don't like to guess what kind of Jew/I could have been/in 1492, 1942; pick a year/and I would have thought, "Bad Jew,"/looking in a mirror, under my breath. 

Why you should read this book: This collection of poetry examines the questions of identity, belief, and behavior that are, perhaps, unique to American Judaism. Frankly discussing the concepts of whiteness, assimilation, mixed marriage, antisemitism, family history, world history, philosophy, child rearing, and his own relationship with his community, his relatives, and himself, the author offers an honest picture of a man haunted by the quality of Jewishness that coalesces around spirituality and ethnicity in America. This large format book allows for a layout that seems to communicate the multitude of voices and ideas informing the author's journey and evolution as he places his life in the larger context of history, culture, and family. 

Why you shouldn't read this book: Some of the experimental-feeling layout makes the poetry ambiguous or difficult to read. 

Evangelina Everyday

Written by: Dawn Burns

First line: "I feel adrift," Evangelina said, sitting at the kitchen table reading but not really reading the Elkhart Truth as Russel went about his business preparing a fire for the night because on cold December nights, that is just what they had come to do over their twenty-one years of marriage. 

Why you should read this book: From the outside, Evangelina looks like an ordinary woman in an ordinary marriage, but on the inside, she's keenly aware that something about her is different, and something about her life isn't quite right, not when held up against the lives of the people around her. Told as a novel in short stories, this book gives a gripping picture of this meaningful year in her life, the year when Evangelina has to stop dismissing the quiet disconnect and occasional revulsion in her relationship with her husband and the sense of loss and longing she's felt since her best friend moved away, feelings that other women in her circles don't seem to grapple with. Evangelina is no everyday woman, and when she finds the space within herself to ask who she used to be, who she is, and who she wants to be in the future, her entire world will change. 

Why you shouldn't read this book: You're not ready to stop dismissing your quiet disconnect and occasional revulsion. 

The Round House

Written by: Louise Erdrich

First line: Small trees had attacked my parents' house at the foundation.

Why you should read this book: Joe Coutts's childhood comes to an end the summer his mother is brutally assaulted by an unidentified assailant on land that may or may not fall under the jurisdiction of tribal law. Distressed by his mother's trauma and retreat from the world and frustrated by the callous inefficiency of the justice system, Joe takes on his own investigation of the crime, aided explicitly by his three best friends and implicitly by his Ojibwe family and community and their history, shared and secret, old and new, and often hindered by his own adolescent sensibilities. Powerful, revelatory, upsetting, and important, this book shines a light on inequality, hypocrisy, the betrayals of the American government toward indigenous people, the power of unbroken tradition, and questions of morality in an immoral world. 

Why you shouldn't read this book: The plot turns on the violent rape and attempted murder of an indigenous woman. 

Proud Knight, Fair Lady: The Twelve Lais of Marie de France

Written by: Naomi Lewis and Angela Barrett

First line: You know that in bygone times the Bretons made lays of the happenings in their land.

Why you should read this book: Over 800 years ago, French and British nobility went crazy for these fantastic stories of brave knights and fair maidens and bold romance and strange magic. Written in the twelfth century, but ostensibly based on older oral musical tradition, these "lays" offer a fairy tale picture of a nearly forgotten aesthetic of courtly love, which faithful knights should offer to beautiful ladies, without expectation of reciprocation (but with interesting results when it was returned). Including ancient examples of tropes known to modern readers (an adventure set in King Arthur's court, a werewolf hell bent on vengeance, twins separated at birth) and offering salacious details of forbidden intimacy, tragic deaths, and joyful reunions, these twelve historical tales still resonate with readers ready to step outside standard fare. 

Why you shouldn't read this book: You are a jealous old man who married a beautiful young woman and then locked her away from the world but are still convinced she's betraying you. 

A Green Glow on the Horizon: Tales from the National Association of Tourist Attraction Survivors

 Written by: Dawn Burns

First line: This is the story I'm learning to tell.

Why you should read this book: Beneath the structure of these surreal fictions, linked by the premise that  roadside tourist attractions leave bruises upon those who don't have the luxury of simply passing through the amusement, lies a series of hard truths about parents and children, and the disconnect and betrayal that comes from irrational adult beliefs that are too rigid to accommodate "sensitive" children. Metaphorically examining religious trauma through a uniquely American fairy tale lens, these stories showcase the reluctantly expressed pain of those (usually daughters) who feel diminished in the face of others' (usually their mother's) obsessions with strange, unyielding ideals that do not serve unbelieving children. From Roswell, New Mexico to Pedro's South of the Border in South Carolina, Iowa's Corn Palace, Arizona's The Thing to The Fort Wayne Children's Zoo, and even stranger settings, surprising locations lead to surprising maladies, anger, introspection, and sometimes, recovery, and redemption.

Why you shouldn't read this book: You know your teenager is wrong about their own identity, needs, and beliefs, and if you just keep ignoring what she wants, she'll get better. 

Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated

Written by: Alison Arngrim

First line: The Los Angeles County Fair is probably not the first place you'd go if you were seeking to be forgiven of your sins, but I have a tendency to find strange things in strange places. 

Why you should read this book: If you were a kid in the '70s and '80s, you probably watched Little House on the Prairie and if you watched Little House on the Prairie, you probably hated that bitch, Nellie Oleson, and considered her the epitome of evil and deserving of any and all abuse heaped upon her by Laura and the show runners, but Nellie Oleson wasn't a real person; she was a conglomerate character brought to life by an earnest, clever, and dedicated child actress named Alison Arngrim, who spent her real life youth taking the lumps earned by a character she portrayed with such natural joy and intensity that people seemed to think Nellie was real and Alison didn't exist. This buoyant and fast-paced memoir tells all about what was going on behind the scenes of the popular, long-running show (Michael Landon never wore underwear, every adult in the cast and crew was drunk at all times, that wig was incredibly painful to wear, and the real bitch was the girl who played Mary) along with her own heart-wrenching stories of abuse and loss. Arngrin is candid and humorous, even when discussing the most painful memories, and illustrates how she managed to survive child stardom relatively unscathed and pivot into adult success in the entertainment industry without compromising her values and beliefs at all. 

Why you shouldn't read this book: Trigger warning for candid discussions of child sexual abuse/incest including a somewhat disconcerting confrontation with the abuser in adulthood. 

Grimericks

Written by: Susan Pearson and Gris Grimly

First line: Dear Reader, please lend me your ear

Why you should read this book: A cute little gothy kids' book featuring twenty moderately amusing limericks about various creepy subjects (ghosts, ghouls, witches, and so on). The rhymes are clearly just vehicles for the delightfully demented illustrations of black cats with mismatched eyes, dead little girls with birds nesting in their hair, and so on. Perfect for big kids with dark senses of humor. 

Why you shouldn't read this book: You don't think there's anything funny about death. 

The Neverending Story

Written by: Michael Ende

First line: This inscription could be seen on the glass door of a small shop, but naturally this was only the way it looked if you were inside the dimly lit shop, looking out at the street through the plateglass door.

Why you should read this book: If you think you know The Neverending Story because you saw the movie eleventy billion times in the eighties, you do NOT know The Neverending Story, because that movie ends less than halfway through this novel and the author hated it so much that he sued to have his name removed from the film. In the original version, Bastian does more than hide in an attic and scream the Empress's new name; naming the Empress is his passage into a magical land (here called Fantastica) where his use of AURYN helps him overcome every one of his numerous personality flaws, transforming him into a kid who wouldn't steal an antique book from an old man or hide from his bullies all day. It's a much more expansive and intelligent story than the movie shows, and Bastian is a much more flawed hero who requires much more from Atreyu, Falkor, the Childlike Empress, and the land of Fantastica than they ever needed from him.

Why you shouldn't read this book: The narration reminds us, over and over and over, that chief among Bastian's flaws (and he's a pretty flawed person: canonically, his only redeeming characteristic is his imagination) is that he is fat and bow-legged. 

Le Pater: Alphonse Mucha's Symbolist Masterpiece and the Lineage of Mysticism

Written by: Thomas Negovan

First line: Religion is symbolism

Why you should read this book: Alphonse Mucha's 1899 masterpiece doesn't merely illustrate the Lord's Prayer, it illuminates its universal meaning through the use of detailed symbolism, elevating it from a Christian staple to a pantheistic truth about the nature of spirituality. Negovan's massive (12"x16") tome not only reproduces these limited edition plates in stunning accuracy, but also includes preliminary sketches for every illustration as well as copious historical and cultural details situating Mucha's work in time and place. A complex and beautiful book about a complex and beautiful piece of art. 

Why you shouldn't read this book: Now that I've read it, I don't know what to do with it, as it doesn't fit on my any of my bookshelves. 

Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice

Written by: Virgina Roberts Giuffre

First line: Picture a girl sitting alone on a curb, her face stained with tears. 

Why you should read this book: This is the brutal and hard-to-read memoir of one of Jeffrey Epstein's victims, who spent several years of her childhood being repeatedly sexually assaulted and trafficked by the notorious billionaire. Giuffre speaks with frank honesty about her history of abuse, beginning with her father and his friend, continued at the facility for troubled youth where she was sent when her psychological issues overwhelmed her parents, and furthered by a different rich man who picked her up by the side of the road before she eventually found employment at Donald Trump's Mar-a-lago resort and was collected by Ghislaine Maxwell. Sometimes, but not always, naming names, Giuffre recounts her painful truths in excruciating details, not only the crimes committed against her by wealthy, powerful men, but her escape from their orbit and her quest to bring her abusers to justice. 

Why you shouldn't read this book: It's very heavy and almost everything that happens in it is terrible.