Shanghai Immortal

Written: A. Y. Chao

First line: The steaming Shanghai night drapes heavy over my bare shoulders. 

Why you should read this book: Fast paced, luscious, fresh, and edgy, this is the story of Lady Jing, bad girl half-vampire half-fox spirit, consigned to live under the thumb of the King of Hell (Chinese version) since her grandmother's court rejected her outright as an abomination and her mother subsequently abandoned her. Devoted to rejecting tradition and making trouble, her life is upended the day she's commanded to escort a living mortal through Hell (the King of Hell needs advice on creating a viable banking system) and ends up sent to the mortal realm for her own protection. Jazz age Shanghai is a new world, where Lady Jing discovers she has friends, mortal and otherwise, and devotes herself to unraveling the conspiracy that catapulted her from the world where she endured for ninety years, just in time to finally grow up. 

Why you shouldn't read this book: You aren't stirred by the idea of a half-vampire half-demon in a world that blends Chinese mythology with the advances of the early twentieth century. 

Station Eternity

Written by: Mur Lafferty

First line: Nobody ever believed murders "just happened" around Mallory Viridian.

Why you should read this book: This fun near-future science fiction murder mystery takes place primarily on the sentient space station where Mallory has fled to escape the constellation of murders that seem to happen all around her on Earth, where nobody believes they're not her fault even though she always finds the real killer. Surely the curse cannot follow her across the cosmos if she's only one of three humans on board, but her peace of mind is shattered when she learns that more earthlings are on their way. Suddenly, she's surrounded by death and mayhem again, and needs to use all her resources to unravel a series of mysteries and save the lives of every life on the station, including the station itself.

Why you shouldn't read this book: There are a couple main characters and many supporting characters, and the narrative perspective shifts frequently, often giving entire chapters to the point of view of a minor character for an entire chapter, which, to me, can be jarring. 

Yesteryear

Written by: Caro Claire Burke

First line: This is the last day of the life I imagined for myself. 

Why you should read this book: Natalie has always known that everyone around her is stupid, and that her beliefs about marriage and family and femininity are the only intelligent ways to view those concepts, so naturally, when her marriage falters after the birth of her first child, she focuses increasingly on creating a media empire based on her identity as a "trad wife," showcasing a perfect farm life based on conservative ideals. But Natalie's perfect world is shattered when she wakes up mysteriously transported to some strange nineteenth century farm, held hostage and forced to serve as a wife and mother to a husband and children who are sort of like her real husband and children on land that is a lot like her actual home, but not quite. Told in a series of flashbacks, Natalie's journey exposes the dark side of the lifestyle and the hypocrisy of the young women influencers promoting it. 

Why you shouldn't read this book: Natalie is an utterly irredeemable character, smug and self-righteous with zero self-awareness, an unreliable narrator who absolutely deserves every awful thing that happens to her, which is interesting to read, but an unusual way to write a protagonist. 

The Bog Wife

Written by: Kay Chronister

First line: On winter nights, the burned heavy bundles of dried peat in the hearth and inhaled the scent of sacred ground burning while their father paced the length of the room, reciting the history of the Haddesley compact.

Why you should read this book: All their lives, the young adult Haddlesley children have been taught to honor the ancient compact between their family and their bog, which every generation offers up one magical wife to the eldest son, to continue the family line. But their vague, eldritch bog mother has mysteriously vanished, and one of the siblings has fled the land, and there are increasing doubts about the eldest son's suitability to serve as patriarch, and meanwhile, in true southern gothic fashion, the weight of their own history is literally crushing the family home. Naturalistic and supernatural, this delightful novel chronicles the breakdown of old family narratives about power and responsibility.

Why you shouldn't read this book: You believe everything your parents told you despite all evidence to the contrary. 

Evangelina Everyday

Written by: Dawn Burns

First line: "I feel adrift," Evangelina said, sitting at the kitchen table reading but not really reading the Elkhart Truth as Russel went about his business preparing a fire for the night because on cold December nights, that is just what they had come to do over their twenty-one years of marriage. 

Why you should read this book: From the outside, Evangelina looks like an ordinary woman in an ordinary marriage, but on the inside, she's keenly aware that something about her is different, and something about her life isn't quite right, not when held up against the lives of the people around her. Told as a novel in short stories, this book gives a gripping picture of this meaningful year in her life, the year when Evangelina has to stop dismissing the quiet disconnect and occasional revulsion in her relationship with her husband and the sense of loss and longing she's felt since her best friend moved away, feelings that other women in her circles don't seem to grapple with. Evangelina is no everyday woman, and when she finds the space within herself to ask who she used to be, who she is, and who she wants to be in the future, her entire world will change. 

Why you shouldn't read this book: You're not ready to stop dismissing your quiet disconnect and occasional revulsion. 

The Round House

Written by: Louise Erdrich

First line: Small trees had attacked my parents' house at the foundation.

Why you should read this book: Joe Coutts's childhood comes to an end the summer his mother is brutally assaulted by an unidentified assailant on land that may or may not fall under the jurisdiction of tribal law. Distressed by his mother's trauma and retreat from the world and frustrated by the callous inefficiency of the justice system, Joe takes on his own investigation of the crime, aided explicitly by his three best friends and implicitly by his Ojibwe family and community and their history, shared and secret, old and new, and often hindered by his own adolescent sensibilities. Powerful, revelatory, upsetting, and important, this book shines a light on inequality, hypocrisy, the betrayals of the American government toward indigenous people, the power of unbroken tradition, and questions of morality in an immoral world. 

Why you shouldn't read this book: The plot turns on the violent rape and attempted murder of an indigenous woman. 

The Neverending Story

Written by: Michael Ende

First line: This inscription could be seen on the glass door of a small shop, but naturally this was only the way it looked if you were inside the dimly lit shop, looking out at the street through the plateglass door.

Why you should read this book: If you think you know The Neverending Story because you saw the movie eleventy billion times in the eighties, you do NOT know The Neverending Story, because that movie ends less than halfway through this novel and the author hated it so much that he sued to have his name removed from the film. In the original version, Bastian does more than hide in an attic and scream the Empress's new name; naming the Empress is his passage into a magical land (here called Fantastica) where his use of AURYN helps him overcome every one of his numerous personality flaws, transforming him into a kid who wouldn't steal an antique book from an old man or hide from his bullies all day. It's a much more expansive and intelligent story than the movie shows, and Bastian is a much more flawed hero who requires much more from Atreyu, Falkor, the Childlike Empress, and the land of Fantastica than they ever needed from him.

Why you shouldn't read this book: The narration reminds us, over and over and over, that chief among Bastian's flaws (and he's a pretty flawed person: canonically, his only redeeming characteristic is his imagination) is that he is fat and bow-legged. 

A World Worth Saving

Written by: Kyle Lukoff

First line: "A___! It's time to go! Are your shoes on?"

Why you should read this book: This powerhouse YA novel follows A, a fourteen-year-old trans masc kid whose progressive parents want to feminize him, forcing him to attend weird, cult-like anti-trans family meetings in a church, even though they're Jewish. When Yarrow, one of A's club friends, is taken away after an outburst at the meeting, A feels compelled to investigate, and is surprised to make the acquaintance of a trash golem, whose power helps him uncover an awful conspiracy: demons who feed off human misery and other demons who feed off trans kids. Suddenly, A is on the run with a girl from his meeting, meeting other trans kids who live on the street, uncovering new friends and new enemies, with the clock counting down for him to save Yarrow and return home. 

Why you shouldn't read this book: This is among the greatest Jewish YA fantasy novels you'll ever read; if you can't handle queer content, that's your problem. 

American Dirt

Written by: Jeanine Cummins

First line: One of the very first bullets comes in through the open window above the toilet where Luca is standing.

Why you should read this book: Fast paced and gut wrenching, it tells the story of Lydia and Luca, a mother and young child who survive the cartel's assassination of the rest of their family and must escape Acapulco, join the procession of migrants traveling north to the border, and cross into el norte if they are to have any hope of escaping the long reach of their enemies. The journey is terrifying, treacherous, and punctuated by encounters with true monsters, but Lydia and Luca also meet kind and generous helpers along the way, and create bonds with other migrants. The writing is immersive and evocative, creating an intimate picture of the physical and emotionally devastating journey.

Why you shouldn't read this book: The author received some criticism for writing this story despite not being a Central American immigrant but it seems to me that her research was sufficient to tell it properly and well, and that gives a person the right to tell a story. 

Closer

Written by: Mirian Gershow

First line:

Why you should read this book: The impacts of several crude racist incidents at an Oregon high school ripple through the community, causing a series of unexpected outcomes. We view the incidents and their fallout through three sets of eyes: Woody is the school guidance counselor who desperately wants to help his students and address the problems in his school, but has no idea how, Stephanie is the mother of the bullied student, overburdened with other worries and responsibilities, and Lark is the girl whose best friend's life is the most changed. Everybody makes mistakes, but some people pay more dearly than others. 

Why you shouldn't read this book: It just seems problematic to me for a white woman to write a novel about racism that centers around how racism impacts white people. 

The Return of the King

Written by: JRR Tolkien 

First line: Pippin looked out from the shelter of Gandalf's coat.

Why you should read this book: I don't know if Lord of the Rings is the greatest story ever told, but this tale of epic bravery in the face of impossible odds is certainly very high on the list. By the beginning of this third book in the trilogy, every single character is convinced that theirs is an impossible suicide mission, and despite this knowledge every single character chooses to continue on their path simply because it is the right thing to do. Good triumphs over evil, but at great cost, and while there is celebration and joy, there is no true happy every after, because everything always ends, and what has been destroyed can never return (except for Gandalf, of course). 

Why you shouldn't read this book: The poignant, gripping thread of sorrow and loss woven throughout may cause grief and nostalgia for a world that can never be.

Kiki's Delivery Service

Written by: Eiko Kadono (translated by Emily Balistrieri, illustrated by Yuta Onoda)

First line: Once, there was a little town sandwiched between a deep forest and a gentle grassy hills.

Why you should read this book: The inspiration for the fabulous Miyazaki film, this book presents a more complete picture of the little witch who must set out to support herself in a new town with only one magical power: to fly on a broom. With patience and good will and creativity, Kiki begins to win over a population of people who are suspicious of witches and unsure why they should welcome one into their town, until eventually she finds herself a popular local celebrity with lots of friends who is known for being able to solve any problem. A sweet, delightful story about independence, growing up, and love. 

Why you shouldn't read this book: You can't imagine anything good about having a witch around. 

The Two Towers

Written by: JRR Tolkein

First line: Aragorn sped up the hill. 

Why you should read this book: The fellowship shattered, the remaining members go their own way: Pippin and Merry, kidnapped by the Uruk-Hai, managed to escape and make friends with an ancient, sentient, ambulatory tree, who is very interested in their story about what's happening outside the forest; Aragorn, Gimli, and Legolas enjoy a few days of ultra-marathoning in pursuit of them; and Sam and Frodo head south to complete their absolutely impossible mission. With the destruction of Isengard by the Ents, the emasculation of Saruman by the very much not dead Gandalf, the rallying of various noble men to the cause, and the return of Gollum, it almost feels like the party is making progress. Then everyone goes off again on further impossible suicide missions. 

Why you shouldn't read this book: Well, you have to read the first one first. 

The Door in the Wall

Written by: Marguerite de Angeli

First line: Robin drew the coverlet about his head and turned his face to the wall.

Why you should read this book: With his father off to war and his mother waiting on the Queen, Robin is supposed to begin his training to become a knight, but his parents didn't make plans for Robin to become so sick he lost the use of his legs, and for every servant left to care for him to die of the plague. Brother Luke, a monk who is aware of Robin's situation (and that his father has generously donated to the monk's church) comes to rescue him, not just from starving to death in his own bed, but from his sense that disability means he can do nothing and has nothing to look forward to. With the help of the Brothers, Robin soon learns to swim, read, whittle, and eventually, to walk with crutches, so that eventually he has the confidence and ability to outwit an invading army and save England.

Why you shouldn't read this book: It's a bit of a quiet book, although there is a bit of action here and there. I seem to recall my mother trying to force me to read this book 40-odd years ago and me being so bored I didn't get through the first chapter. 

Fear of Flying

Written by: Erica Jong

First line: There were 117 psychoanalysts on the Pan Am flight to Vienna and I'd been treated by at least six of them. 

Why you should read this book: A woman whose neuroticism is only overshadowed by her horniness openly cheats on her husband while recounting pretty much every single thought she's ever had about sex and perseverating about every single sexual encounter she's ever experienced. This book was considered pretty groundbreaking when it was published in 1973: a female protagonist who speaks bluntly about intercourse, her desire for it, her experience of it, her disappointment in it, and so on, plus it coined the term "zipless fuck." The plot is pretty bare bones--she goes to a conference of psychoanalysts in Vienna with her husband, immediately enters into an affair with a psychoanalyst who is not her husband, and drives around with her lover (who isn't even good at sex, or anything else as far as the story tell us), thinking about guys she's had sex with and all the things that are probably wrong with her family, with some occasional thoughts about her career as a poet and what her own problem might be. 

Why you should read this book: While it actually contains a few kernels of surprising wisdom, the writing generally feels schizophrenic and practically nothing actually happens except, I guess, the 29-year-old protagonist grows up a little bit while deciding whether to pursue a second divorce. 

If You Could Be Mine

Written by: Sara Farizan

First line: Nasrin pulled my hair when I told her I didn't want to play with her dolls. 

Why you should read this book: Sahar has always known that she is in love with her best friend, Nasrin, and she's pretty sure, based on the way Nasrin is kissing her all the time whenever they're alone, that Nasrin feels exactly the same way about her, so she's surprised, confused, and hurt when Nasrin announces that she's marrying a much older man she barely knows. For Nasrin, this is the sensible decision, because they live in Iran and it's straight up illegal to be gay, so why shouldn't she marry someone who will love and care for her, and continue making out with Sahar on the side? Although homosexuality is criminalized, when Sahar finds that out that being trans is perfectly legal, she realizes she has a shot at holding on to their love. 

Why you shouldn't read this book: You changed for love.

My Life as a Fake

Written by: Peter Carey

First line: I have known John Slater all my life. 

Why you should read this book: Inspired by a real life literary hoax, this is a fictional novel about a literary hoax, but in the story, the literary hoax literally grows legs and walks around terrifying its creator in the manner of Frankenstein's monster. It's one of those strange, dreamlike narratives where you get the sense that absolutely every character is lying about almost everything they say, including the first person narrator, and everybody in the story is kind of unlikeable at the core, but the reader is drawn in enough to keep reading just to figure out what's actually going on. Sarah Wode-Douglass, the editor of a prestigious British literary magazine, takes a weird vacation to Kuala Lumpur with John Slater, a famous poet she doesn't like at all, and meets a disgraced Australian writer who once perpetrated a literary hoax that, if he is to be believed, was way too successful. 

Why you shouldn't read this book: I'm not entirely sure it ever explains itself satisfactorily. 

The War I Finally Won

Written by: Kimberly Brubaker Bradley

First line: You can know things all you like, but that doesn't mean you believe them. 

Why you should read this book: Beginning very shortly after the end of The War That Saved My Life, this book begins with Ada about to have her clubfoot surgically corrected, after which she must heal, not just physically from the surgery, but emotionally, from a lifetime of abuse at her mother's hands. She, her brother, and their guardian Susan are offered a "little" house on the Thornton estate, which is soon filled when Lady Thornton decides to move in with them (there's a war on, after all) and Lord Thornton brings Ruth, a German-Jewish refugee to stay as well. Despite being very different people from very different circumstances and being suspicious of each other, this strange blended family come to share each other's pain and joy and to learn what it means to love.

Why you shouldn't read this book: It made me cry even more than the first one. 

Right Back at You

Written by: Carolyn Mackler

First line: Dear Albert Einstein, I am only writing this letter because Barb told me I had to. 

Why you should read this book: An epistolary novel about a friendship between two twelve-year-olds who discover they have a great deal in common, despite being separated by three hundred miles and thirty-six years. Mason doesn't want to talk about his feelings at all, and is surprised to find the letter he hid in his closet answered by a girl in the past who demands to know why she found his letter in her closet. Once they decide the unlikely situation must be caused by a wormhole, they can start to share their secret thoughts with each other, discovering surprising connections and ways they can help each other across a seemingly insurmountable distance. 

Why you shouldn't read this book: You think Lord of the Flies is an inevitability. 

The Star Side of Bird Hill

Written by: Naomi Jackson

First line: The people on the hill liked to say that God's smile was the sun shining down on them. 

Why you should read this book: Their mother suffering from a lethargic malaise they cannot understand, sixteen-year-old Dionne and her ten-year-old sister Phaedra are shipped off to spend their summer with their Grandmother Hyacinth, in Barbados. The quiet neighborhood of Bird Hill, where everyone knows everyone and has since they were born, is a far cry from the from the familiar boundaries of their lives in Brooklyn, and while Phaedra finds herself interested in Hyacinth's knowledge and her own heritage, Dionne bristles thinking of the excitement she's missing in New York and how this island pales in comparison. Heartbreaking and uplifting, this is a story about family and the splendor of love, and the power and meaning of those things. 

Why you shouldn't read this book: So sad. I cried like three times.