Pride and Prejudice

Written by: Jane Austen 

First line: It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.

Why you should read this book: I can't believe I've never blogged this one before; it's the literary equivalent of a warm blanket and a cup of cocoa with marshmallows for many readers, and the story of the Bennet sisters, who must marry well before their father's estate is entailed to their unctuous cousin, is one I've consumed many times. Elizabeth Bennet, the second oldest sibling, has a lively mind and wit, and on first acquaintance is deeply unimpressed with the wealthy, condescending Mr. Darcy, but as the story unfolds, she realizes that there is more to Mr. Darcy than snobbery and smug disapproval. There are lies and betrayals and romance and all kinds of snide remarks and cutting observations and true danger and, as in every Jane Austen novel, everyone gets the husband she deserves. 

Why you shouldn't read this book: You have to actually be a reader; if you don't like reading you will find Austen's prose difficult to detangle. 

Speechless

Written by: Aron Nels Steinke

First line: Mira? Mira, is everything OK?

Why you should read this book: Mira suffers from selective mutism: she has no trouble expressing herself at home--she spends hours creating original animations and uploading them to the internet--but she's never been able to speak out loud in school. It doesn't help that her former best friend Chloe has become her biggest bully and is also living in her house and kissing up to her mom. But Mira manages to make one friend who's willing to work around her disabilities, and a new therapist who sees her and understands what she's going through, and suddenly she's expressing herself all over the place. 

Why you shouldn't read this book: You think children should be seen and not heard. 

When Stars Are Scattered

Written by: Victoria Jamieson and Omar Mohamed

First line: For me, the first years are lost. 

Why you should read this book: This is an award-winning graphic novel memoir for children, and about children, and so full of tragedy and privation and heartache and loss and suffering and trauma that I personally was crying for about fifty percent of the book. Orphans Omar and his nonverbal brother Hassan have lived in a refugee camp for most of their lives, and the story follows Omar's trials and triumphs when he is persuaded to go to school. It's difficult to succeed academically in a refugee camp, and even if he finishes high school, there's no guarantee that he will ever be able to leave the camp or live a life with any sense of hope or possibility.

Why you should read this book: It does have a happy ending, but that doesn't mitigate the author's pain or make up for the childhood that was stolen from him. 

Super Boba Cafe

Written by: Nidhi Chanani

First line: OHMYGODTHISISHOWIDIEOHGODDDTHEWATERAH

Why you should read this book: Aria's excited to spend the summer with Nainai, her grandmother, and determined to put her sleepy little neighborhood boba cafe on the map by leveraging the power of kittens and social media, but her plan is too good. The shop is suddenly, virally successful, making it hard to ignore some of the Nainai's more peculiar behavior, especially the way she vanishes every night into her secret kitchen. Aria is determined to uncover Nainai's secret, and then, when she realizes the seriousness of her grandmother's secret work, to find a way to make life easier for her heroic grandmother. 

Why you shouldn't read this book: You don't care if California falls into the ocean. 

How to Lose Your Mother: A Daughter's Memoir

Written by: Molly Jong-Fast

First line: I am the only child of a once-famous woman.

Why you should read this book: Metaphorically, the experience of reading this book is similar to seeing a horse and a thinking, "that is a cool-looking horse," and then you get on the horse even though you don't really know much about horses, and the horse understands this and takes the opportunity to start galloping through the forest at a breakneck speed and you are dodging branches and hanging on for dear life and yes, it's exhilarating but also terrifying and the horse just keeps going until it's got that all out of its system and then abruptly stops in a beautiful meadow not far from where you parked your car and just acts like everything is copacetic and your nightmare ride never happened. Admittedly, while I was aware of the existence of Erica Jong, the author's once-famous mother, I never actually read any of her books, so all my sympathy and interest was held entirely for Jong-Fast from the beginning, and I both enjoyed and was traumatized by her descriptions of a childhood dictated by her mother's absolute chaotic lifestyle and ability to express love, seamlessly woven together with the story of her adult experience of her mother's dementia and decline. The writing achieves that level of flawlessness that allows you to sink into the narrative without noticing how the author is performing all these magic tricks, and it would have been a good story even if she wasn't a tremendous writer. 

Why you shouldn't read this book: You're still trying to impress your narcissistic parent. 

Nana & Kaoru Volume 6

Written by: Ryuta Amazume

First line: Is my mom really...DEAD?

Why you should read this book: Kaoru's mom is not really dead, but she does manage to guilt trip him into moving to Okinawa, and he justifies his abandonment of Nana because she's going to leave him for university anyway, so what's the point of torturing himself for another year? In Okinawa, he finds that his skills a ropemaster are in high demand, and he enjoys a scene with his favorite fetish model before realizing that BDSM, for him, is inextricably entangled with his emotions for Nana; meanwhile, Nana realizes that she can't live without Kaoru. She travels to Okinawa twice to salvage their relationship, which still seems undecided until the (very) satisfying (but somewhat unbelievable) climax of the story, after which the young couple agree that whatever the future holds, they will make their decisions together. 

Why you shouldn't read this book: You don't really understand BDSM.

Unspeakable: Surviving My Childhood and Finding My Voice

Written by: Jessica Willis Fisher

First line: When I go back to examine the earliest memories of my life, I can distinguish three short scenes.

Why you should read this book: The author recounts the devastating details of her childhood, which involve repeated sexual abuse by her father beginning at a very early age, along with physical, spiritual, and emotional abuse, and the eventual realization that her seven younger sisters were all receiving the same treatment, and that nobody was coming to help or protect them. Meanwhile, Fisher was forced to perform in the family band and held responsible for the family's financial wellbeing, writing most of their music and putting on a brave face for the fans and the television cameras that eventually surrounded her life. While Fisher escaped and lived to speak out about what happened to her and see her abuser incarcerated for his crimes, this narrative also highlights the unknown but assuredly vast number of children who experience the same forms of sexual, physical, spiritual, and emotional abuse do not have the means to escape and never see justice or have a chance to tell their stories. 

Why you should read this book: I think this is the first book I've ever read that included a trigger warning, with page numbers (for the three most shocking incidents of abuse); unlike some survivors, Fisher explains exactly what her father did and it is horrific indeed. 

Nana & Kaoru Volume 5

Written by: Ryuta Amazume

First line: "Zero points"? What" What does he mean?

Why you should read this book: Forced to confront their emotions by a crotchety old leather master, Nana and Kaoru both acknowledge their bond and the symbolic nature of a collar to keep them tied together, after which Kaoru makes Nana a bespoke collar, with love, leading to a fun, full-circle encounter in the field where he first took her after her first collaring. There's a fun sequence where Tachi and Mitsuko top Kaoru in the basement of the bondage shop (deepening his relationship with Nana), after which we get a very different story about a couple in their twenties, toying with BDSM to save their relationship, who are both advised with great perspicacity by the now wise in the ways of kink teenagers Kaoru and Nana. But the book ends with the main characters once again being forced to confront the fact that they have only a year of high school left, and there are no guarantees in life, because loved ones can disappear in an instant. 

Why you shouldn't read this book: This one actually has sex in it, but, due to Japanese censorship laws, the male genitals are drawn as magic markers.

The Reason I Jump

Written by: Naoki Higashida (translated by KA Yoshida David Mitchell)

First line: When I was small, I didn't even know that I was a kid with special needs. 

Why you should read this book: Perhaps there's never been another book like this one, written by a nonverbal, autistic 13-year-old whose primary method of communication is spelling out words by pointing, one-by-one, at the Japanese hiragana letters on a grid. Most of the book is presented in the form of Q and A, with the author answering questions about why and how he does what he does by explaining his inner experience, along with a few provocative short fiction pieces that also provide interesting insight into a mind that might have once remained forever closed to neurotypical observers. The young author's sensitivity and understanding of his own condition, his relationship with the rest of the world, and his expectations for the future, are delightful and eye opening. 

Why you shouldn't read this book: You just find all children annoying. 

Wake the Wild Creatures

Written by: Nova Ren Suma

First line: At first it was beautiful.

Why you should read this book: As long as she can remember, Thalia has lived at Neves, the crumbling, derelict remains of an old Catskills hotel, which shelters a motley assortment of vulnerable and abused women and children within a shroud of magical mist. On the first full moon after her thirteenth birthday, when she is prepared to become a full member of the community, tragedy strikes, her mother is arrested, and Thalia is sent to live with an aunt she's never known, in a stifling and unnatural suburban environment, in a room with a cousin who seems to despise her. But Thalia is convinced that her mother and her community will call her home, and she's been waiting patiently in her new, alien environment, for the day when the mist will open up and welcome her home again. 

Why you shouldn't read this book: One of the author's hallmark stylistic devices is to never explain any supernatural occurrence in any way whatsoever.